And now, the last part of my short story. This brings us, more or less, up to the point at which I’ve stopped writing. So if I post more of the Creature’s journal entries, it will be new territory for him and I.
Entry the third, the 7th day of Poldoure, 738th year of the Sanguine Reckoning
I have risen early and foregone my exercises, much to Dr. Swantopelk’s annoyance. Surely the woman understands that for me to write is essential, on the eave of my journey! She drew from the Deck this time, shoving the card in my face. As if that would help. Still, the daily draw is once again a portentous one, The Broken Portal. I say that a door with a broken hinge is still a door, just don’t slam it on your way out.
All that aside, I was getting to the good part. I had successfully escaped from my confinement with the doctor, and fainaigued my way onto a transport steamer. Now I approached the Great Bridge of Harrowgate. I had read often of this marvelous city, but was not allowed to view any pictures.
The doctor was curiously withholding on certain subjects, and one of them was imagery, of any kind. I was never allowed to see paintings, sketches, or photographs of any of the places I read about. My books were also lacking in descriptions of common people and their customs. I assumed the doctor had her reasons, and she made up for it by giving me more fiction and fantasies than I could consume, but I never stopped wondering at these things.
In all that time, I had thought that the bridge was but a monument through which one entered the city. I discovered on the deck of that steamer that I was mistaken. The bridge was the city. It was an ancient structure, over 600 meters in height, and perhaps 200 meters in width. I remember that the ancient Eucrasians had it built, or so the prevailing theory went. It could have been someone older, and more inhuman. I had no trouble believing that this structure was beyond humans to conceive, as we came ever closer.
It had a frame of some strange, reddish metal. The architecture of many civilizations had been built into that frame, with the graceful black spires of the Gatekeepers on the bridge itself. There was little negative space left on the bridge after all these centuries. Many had built their homes and apartments into the scaffolds. I noticed too that the houses, factories and municipal buildings no longer stayed confined to the bridge, but spilled over onto either side of the Effulgent Strait, the city bleeding into the forests of Thornheim and the industrious townships of Billows. But it was one country now, and this was the gate. That struck me suddenly, how it was both a bridge and a gate, which controlled entry into the Sea of Eyes. A city and an artifact, an entity that was many things, and nothing definable at the same time. An entity much like myself.
I grew impatient to explore. I would disappear into the streets and scaffolding of Harrowgate, and return to the doctor, along with her lessons and experiments, when it so pleased me. The ferry finally docked and the passengers and I jostled each other onto a waiting platform. This was rigged up to some complicated machinery with cables, and lifted our platform upwards. As we rose, I caught glimpses of the Rafterhoods, the slums where those unfortunates who couldn’t afford the limited space of the bridge surface lived in squalor. Along with these were the Dunworks, the shipyards that lowered and raised their commissions with colossal cranes. They rained sparks and spewed black viscosities into the water below.
Soon enough we came to the surface, and I gripped the railing in fear and excitement as the wind whipped my hair (which now was short, wavy and brown). I stood on the Grand Mese, the road through the top of the bridge, connecting the Principalities in their commerce. I could see the palaces and High Offices of the Gatekeepers, those mysterious plutocrats who ruled the city, and some say the whole continent. Beyond was the Yawning Bay, always curtained in mist, and on the other side the Sea of Eyes, which glittered with the light of the fattened sun. I had never been so high up, and I was seized by momentary vertigo. The ships and steamers below were now like toys, and the city that spilled out onto either side of me looked like a black, smoking woodpile.
I spent some time walking the Grande Mese, being as careful as I could to avoid the steam-cars and the horse-drawn curricles. There were all manner of folk traveling in either lane, pilgrims, merchants, and simple people no doubt returning home from their labors. From the north there came Billowers, Tatterfolk of all different stripes and colors, little Terceans scuttling along on business for their Queen, and a few Melancholian Aesthetocrats dressed in black and indigo. In the other lane coming from the south across from me, I saw extravagant Thornings, mud-stained Vetchmen, and an imperious Ichthyan with his retinue of glass-domed armigers.
I must have looked quite the bumpkin, but I could not conceal my awe. Here was a kaleidoscope of images, sounds and smells. So much more than the doctor had ever allowed me to taste in the laboratory. I was free, uncontrolled, I wanted to let my skin free to dance in the street, while my bones and innards roiled on the pavement screaming for joy. Yet even in that moment of triumph, I knew that I shouldn’t be too indiscreet. If I revealed any oddness about myself, I might be discovered by the authorities and dragged back to the doctor before I was ready. After some time seeing the sights on the Grand Mese, I took a public elevator to one of the Rafterhoods. There was something I had been itching to try, and I guessed that I would have more luck finding what I sought in darker corners.
So many of my stories, like the capers of Mad Poller and Whistlejack, involved the characters having social interactions in a pub, and imbibing generous amounts of alcohol. I was never allowed a drop of drink when I lived with the doctor, even at parties, and now I was determined to try some. In retrospect, this was the very height of foolishness. If I wished to continue being in control of the course of my life, I needed to be in control of my faculties, but alas, I hungered too much for new sensations.
I departed from another creaking elevator into the smirched alleys of the Rafterhoods, eagerly searching out a drinking hole. I came across a suitably hoary establishment called the Ebullient Bass, marked with the simple image of a gutted fish. Men, and other things, spilled out into the street, their faces jolly, or nauseated, but frequently both. This was exactly what I had sought. I sidled in through a portal framed in pipes, and sat before the barkeep. The interior was red and smoky, drowning in bustle and noise. I didn’t know what to order, and more importantly I didn’t have any money to do it. I quickly left the bar and retreated into the shadows, before I drew the publican’s suspicion.
I had used my abilities to acquire what I needed on the steamboat, but that had attracted the most unpleasant attentions. Now I opted for a subtler approach. I spied a woman laughing and carrying on in a corner booth, her many ruffled skirts beyond understanding, and her hair stacked to the ceiling like a bird’s fortress. She wore a bag that surely bulged with treasures, and I had a thrilling idea of how to explore it’s contents. I concealed my fingers in my coat, and stretched them back and forth, repeatedly, until they lengthened and coiled about like snakes. I placed myself near the woman, but not too near, and let my slithering digits creep down to the floor, and into her purse. It took many attempts, as the woman kept many hairbrushes, and assorted feminutiae near the top, but soon I had a handful of greasy, wrinkled bills.
I returned to the good boniface with a smile cracking my face. I asked for something strong and fiery, and he (or possibly she, the form was lumpy and ambiguous) shrugged and poured me a glass of something brown and granular. I could swear that something swam in the depths of the glass, unaware of the world around it. I decided to open it’s world, and tipped it back down my throat.
What occurred afterward is best left to another entry in this journal. I have not the strength to continue in any case.
Artwork: Alexander Brodsky and Ilya Utkin